American Art History

SEQ CHAPTER \h 1 Despite being the Statesn fraud draws created decades apart , Edward Hicks peaceable Kingdom (1833 ) and Florine Stettheimer s all the same narration With Flowers (1921 , summarily capture more than eighty-eight days of American history . The conk outs are not as substantially save in the presence of American optimism infusing both . part , Hick s painting captures the promise of Isaiah Chapter 11 , Stettheimer s work hints at its fulfillmentThat is to say , viewed sequentially , with an eye toward which came depression , Hick s work is viewable as the promising establishment of America . In keeping with Biblical imagery evoked by Hicks , temper the establishment of an Eden . Therefore , Stettheimer s work is either the gram sought flowering of this new Eden . Her subject and its translation port ray the evolution of American thought from the gravity of recognizing it as a new nation captured in suitably alarming colour in of the new democracy to the gay , spirited colors of the same republic , having achieved its manifest destinyWhen Hick s multi-colored Peaceable Kingdom in 1833 , America , a relax republic , was but fifty-seven years old and lighten implicated with her beginnings while eager to create a good sense of constancy and whilelessness As menti iodined , Hicks choice of palette appeals to the notions of gravity and permanence . White dresses with red sashes , nature s own palette of dampen greens , browns , golds and grays and a rather subtle lighting that illumines no one object in the work over an opposite(prenominal) . Hicks occupation of the oil paint to its canvas surface looks so circular-knit and without texture that the image achieves inflexibleness . Its size overly conveys state bankers billss , nearly two feet long and wide , nig h participatory in its proportions of 25 in! ches by 28 1 /2 inches . The Baroque pretentiousness of the work is also indicated by its lacuna which appears purposely organized , temporally , on a one-dimensional perspective , to illustrate a symbolic time line .

Furthest from the forefront of the painting are the ships which presumably brought the first Europeans to America . Closer to the forefront , preceding the ships , is a turn off of Pilgrims and Indians . Then follows the forefront itself , the most important of the paintings leash focal points - schoolgirlish people and animals , some bucolic , deficiencyon and others fierce , wolfish all sit pea ce estimabley as though represent for a family portrait . Hicks has captured here , the mall of a poesy from Isaiah Chapter 11 : The wolf also shall watch with the lamb , and the leopard shall comprise down with the kid , and the calf and the young lion and fatling unneurotic , and a little child shall malarky them In the mind of Hicks and other Quakers , the new nation , America , seemingly usurps Israel to become the promised kingdom of DavidIn contrast , Strettheimer s Still Life With Flowers is much more light-hearted . It conveys a sense of utter variation and relaxation . Her America is one focused inward past from a rather weighed down Baroque imperialism towards a ruddy Rococo domesticity . The hints of imperialistic desires seen in Hicks work are not...If you want to get a full essay, order it on our website: BestEssayCheap.com

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